During the three-day “Reflections & Reflections – On the Future of Debate Culture” programme at the Berliner Festspiele, Emanuel Gat unveiled Freedom Sonata (2024), a work that navigates, both literally and conceptually, the fragile boundary between order and the pursuit of freedom.
The rising talents of Nederlands Dans Theater (NDT) brought Falling into Shadow to the stage of Stadsschouwburg Utrecht—a compelling, genre-blending evening built around three distinctive choreographies.
Have you ever wished to see the unconscious dance? Have you ever wondered how Sigmund Freud's ideas about the drives and instincts stored somewhere in the depths of our psyche could be expressed through dance?
Loneliness, fear and moon dust. Prague's Švandovo Theatre hosted the internationally acclaimed mime and choreographer Radim Vizváry for the umpteenth time.
A guest of the Berliner Festspiele Performing Arts Season, the Israeli Batsheva Dance Company presented Ohad Naharin’s MOMO (2022), a non-narrative, mesmerising piece, strongly characterised by duality.
Exactly sixty years ago, the first version of Onegin, arguably John Cranko's most famous ballet, premiered in Stuttgart. It would receive its final cut two years later, followed by international acclaim another two years after that, during a tour of the United States.
