Loneliness, fear and moon dust. Prague's Švandovo Theatre hosted the internationally acclaimed mime and choreographer Radim Vizváry for the umpteenth time. 

A guest of the Berliner Festspiele Performing Arts Season, the Israeli Batsheva Dance Company presented Ohad Naharin’s MOMO (2022), a non-narrative, mesmerising piece, strongly characterised by duality.

Exactly sixty years ago, the first version of Onegin, arguably John Cranko's most famous ballet, premiered in Stuttgart. It would receive its final cut two years later, followed by international acclaim another two years after that, during a tour of the United States.

Seeing the Paris Opera Ballet’s Paquita on 18 December felt like something of a Christmas miracle. Since opening night on the 5th, the ballet’s holiday run has been repeatedly disrupted by strikes, an increasingly common scenario every December.