This year’s Prague edition of the Malá inventura (Small Inventory) festival once again presented notable projects from the independent and experimental scene. In addition to established companies, it also introduced up-and-coming and lesser-known artists active in the Czech Republic.

At the start of this year, all four of my “quick jaunts” to London, Amsterdam, Brussels, and Florence to see dance were significantly disrupted.

PONEC theatre finds itself caught between two conflicting perspectives. Within the institution, the prevailing feeling is that things are moving forward and a necessary recovery process is underway. From the outside, however, the theatre is judged primarily on its results, which remain modest so far.

Crossing Berlin in winter is risky, the icy sidewalks are a constant hazard. Yet, the city simultaneously organizes itself into a constellation of diffuse performative spaces.