Fairy-tale ballets have a long tradition in our country, Cinderella not excluded. Let us remember Saša Machov, whose version of Prokofiev's ballet lasted on the repertoire of the National Theatre in Prague for almost twenty years!
When the first wave of the Covid-19 pandemic hit Europe in March 2020, the South Bohemian Theatre ballet company was busy rehearsing Petr Zuska and Štěpán Benyovsky’s new ballet Radio Free Cunning Little Vixen.
The preparations of the production of Radio Free Cunning Little Vixen were cut short by the COVID-19 pandemic days before the première.
The ninth edition of the contemporary choreography showcase BALET 2019 was dominated by Pilsen’ JK Tyl Theatre and its production of The Taming of the Shrew, choreographed by Alena Pešková.
Resurrection. That is what we can call the current events around the Prague Chamber Ballet. The company, which was founded in the mid-1960’s, enjoys certain sentiment from Czech audiences who keep the company going.
The Prague Chamber Ballet spent the last few years searching an identity, a route to be accepted as a full-bodied part of the Czech scene.
On March 20 the second public meeting with artists of the National Theatre took place on the New Stage under the title "Conversations with...". The honored guest this time was Mexican choreographer Javier Torres, a long‑time dancer with the Finnish National Ballet and the creator of the upcoming Czech premiere of Sleeping Beauty
