Isabel Hernández-Gil Crespo holds a BA in Philosophy from the University of Cambridge, and has published articles on the philosophy of film and aesthetics. She has also trained professionally as a classical and contemporary dancer and is working towards an aesthetic theory of dance, which was presented at seminar held by Newnham College, Cambridge. She is currently studying an MA on the history of contemporary art at the Reina Sofía Museum in Madrid.
Interpreting art in novel styles and forms is a delicate matter – almost as delicate as creating it. When film began to earn its status as an autonomous art form, critics emphasised its difference with theatre and its ability to do what the latter could not, mirroring more recent approaches to screendance...
