There are two dance productions that made me realise that the KoresponDance festival is not only about presenting the newest developments in dance and choreography.
Kateřina Šilhová
Kateřina Šilhová is a performer and a theatre researcher based in the Netherlands. She writes on dance, performativity and the use of art in social issues such as LGBTQ+ activism. She works for multiple festivals in the Netherlands and is the co-founder of the room102 platform that curates multimedia projects and audiovisual screenings. She finished her BA in Arts, Culture and Media at the University of Groningen in 2021. She is currently studying a MA programme in performance studies with a specialisation in dramaturgy and neuroaesthetics.
Texty autora
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Rush – Imaginative Retrospective with a Touch of Humour
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La Strada as a life journey through circus archetypes
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Spitfire Company, Temporary Collective and tYhle: Why are we leaving PONEC theatre?
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British expert David Dixon will focus on fundraising in the field of dance
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There is no limit to our love for ballet. Forsythe premiered at the Berlin Staatsballett.
Reviews
Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species