“Bura” means “tempest” in Serbian, and just as a tempest roars, so did the première of Swiss-Serbian choreographer Tamara Gvozdenovic’s newest work, After Bura, at the Trafó Center of Contemporary Arts in Budapest
Marina Srnka
Marina Srnka is a dance writer, researcher, poet and photographer based in Belgium. She graduated from CLE - Cultures Littéraires Européennes with a double master's degree from the universities of Bologna and Strasbourg, and she has a master's degree in Cultural Studies at KU Leuven. Her main interests lie in the intersections between the arts, critical theory and health humanities. She writes for Dance Context Webzine, Pzazz, and Springback Magazine.
