Adriana Štefaňáková made a notable debut to dance audiences last fall as a performer in Miřenka Čechová’s Hostage. Now she has presented her own full-length work Triptych: Genesis/Metamorphosis/6’7...
Laterna Magika presented the world premiere of Baron Münchhausen in an original retelling. Due to the renovation of the New Stage, the premiere took place on the stage of the Estates Theater.
This year’s Prague edition of the Malá inventura (Small Inventory) festival once again presented notable projects from the independent and experimental scene. In addition to established companies, it also introduced up-and-coming and lesser-known artists active in the Czech Republic.
Twenty choreographers and directors demonstrated their artistic abilities in the innovative work DVACETjedna (Twenty-One), in which the author of the concept and sole performer, Miřenka Čechová, placed herself in their hands.
The work by Miřenka Čechová, Markéta Vacovská and Alice Koubová, Let's Connect Yesterday, deals with the theme of crisis and adaptation to it.
Palác Akropolis has seen the third artistic reflection on Miřenka Čechová’s traumatic experiences while studying at the dance conservatory in Prague.
You may have felt like having had enough of Baletky (Ballerinas). The book of choreographer and performer Miřenka Čechová had provoked heated debate even prior to its publication, following the mere release of its annotation and a few interviews.
Miřenka Čechová is a leading contemporary creator of multi-genre performances. She describes herself as a workaholic and a perfectionist.
The Spitfire Company is preparing the première of the last instalment of the Constellations trilogy, subtitled My Son Looking to the Sun.
