Show all articles

Tatiana Vilhelmová is “obsessed” with dance. She successfully demonstrated her talent in the second series of the celebrity show Star Dance where she partnered with professional dancer Petr Čadek. It should come as no surprise then that Čadek was chosen to choreograph the Posedlost (Obsession) project that premiered in the Ponec theatre on April 20.

Tatiana Vilhelmová is “obsessed” with dance. She successfully demonstrated her talent in the second series of the celebrity show Star Dance where she partnered with professional dancer Petr Čadek. It should come as no surprise then that Čadek was chosen to choreograph the Posedlost (Obsession) project that premiered in the Ponec theatre on April 20.

On a rainy day in February, crowd of spectators gathered in Ponec Theater to watch the solo performance of an actress and mime Anna Polívková called Pan Padlý, which followed after the rerun of the VerTeDance new project Jaja and Papus choreographed by Tereza Ondrová for Veronika Kolíková-Knytová and Robert Janč.

On a rainy day in February, crowd of spectators gathered in Ponec Theater to watch the solo performance of an actress and mime Anna Polívková called Pan Padlý, which followed after the rerun of the VerTeDance new project Jaja and Papus choreographed by Tereza Ondrová for Veronika Kolíková-Knytová and Robert Janč.

The F.X. Šalda Theatre in Liberec prepared a premiere of the ballet called Marie Antoinette / Marquis de Sade in March. The author of the libretto and a director and choreographer Gustav Skála decided to interconnect a story of two historical characters mentioned in the name of the staging in one performance where he uses music collage from works by A. Salieri, F. Devienne, M. Clementi, J.P. Rameau, J.N. Hummel, G. Paisiello and B. Bartók. Therefore a staging with two acts and twenty four scenes originated. The gloomy acts with Marquis de Sade alternate with the scenes from the life of Marie Antoinette.

The F.X. Šalda Theatre in Liberec prepared a premiere of the ballet called Marie Antoinette / Marquis de Sade in March. The author of the libretto and a director and choreographer Gustav Skála decided to interconnect a story of two historical characters mentioned in the name of the staging in one performance where he uses music collage from works by A. Salieri, F. Devienne, M. Clementi, J.P. Rameau, J.N. Hummel, G. Paisiello and B. Bartók. Therefore a staging with two acts and twenty four scenes originated. The gloomy acts with Marquis de Sade alternate with the scenes from the life of Marie Antoinette.