As part of a panel discussion entitled “People and Innovation” at the 2022 Prague Cultural Forum, the term ‘excellence’ was discussed, a term which is being systematically introduced into cultural policy as a means of measuring the quality of individuals, projects, or organizations, and thus subsequently the extent of the support they receive.

Since the appointment of Martina Šimkovičová as the new Minister of Culture in October 2023, the contemporary art scene in Slovakia has been subject to significant government interference, in particular from the Ministry of Culture of the Slovak Republic itself.

The 2025/2026 season featured a large number of contemporary circus, mime, physical theatre, and interdisciplinary performance premieres, underling the artistic vitality of the domestic scene. Indeed, a range of ensembles presented one or two new offerings, with younger creative voices making themselves heard among the established artists, and more intimate solo and duet projects dominating programmes.

What role does regeneration play in the lives of dancers, in artistic practice, and in the functioning of cultural institutions? Dance Context Journal explores regeneration in its various forms and invites authors to submit proposals for articles for its 2027 issue. Abstracts can be submitted until 20 November 2026.

When we take a look at the recent Czech ballet season, we see quite the variety, including repertoire classics, original full-length creations, and programmes featuring works by both Czech artists and proven international choreographers. We see safe bets in terms of the productions chosen, but experimentation with less common source materials and forms.

The third edition of Dance Context Journal is out now. This year’s issue explores the political dimension of dance, examining how politics shapes artistic creation, the functioning of cultural institutions, representation, and the conditions in which dance is created and developed.

The work Perpetuum Havel by Radim Vizváry and Petr Boháč pays tribute to the former president.

The choreographer and teacher Bohumíra Eliášová has held various roles at HAMU for over thirty years.