Renowned as a choreographer, director, performer and visual artist, Dimitris Papaioannou wears many hats but is hesitant to label himself.
Marisa C. Hayes
![Marisa C. Hayes](http://www.dancecontextwebzine.com/en/file/0132e75d933b7808666fea6b400e975f/68492/autor/MarisaHayes.jpg)
Marisa C. Hayes is a Franco-American arts writer, curator, and educator based in Paris. She contributes to a variety of print and electronic media in French and English, including CN D Magazine (France), Dance Magazine (USA), and Alternatives Théâtrales (Belgium). She is co-editor of The International Journal of Screendance and a PGR researcher at the University of Brighton. Her research focuses on the intersections between moving images and dance.
Texty autora
Dance Audiences Grow as Dramatic Funding Cuts Arrive – French Spring Season
Throngs of eager spectators have lined the steps of Paris theatres in recent months, while last minute ticket seekers display homemade signs—often in vain—hoping to access sold-out performances.
Transmission and Transformation in Dancing Pina
As Dancing Pina opens, a camera towers over a performer lying face down on a studio floor. Delicately inching her forearm along the ground, the dancer is scrutinized by Malou Airaudo, who intervenes with agitated intensity.
2022 Concours de Promotion at the Paris Opera Ballet – Stepping Up
How do dancers in the world of classical ballet obtain a promotion? The question is rarely asked because most often it is assumed that a dancer’s rank is determined by a company’s Artistic Director. Not so at the Paris Opera Ballet...
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Josef Bartos
Thank you for your thoughts. One got stuck in my mind – that passion makes us different from AI. Just yesterday I read…I am a dance critic. I am a member of an endangered species